Architecture of Joy

Architecture of Joy is the title of a group of Conceptual artworks by Ava Day in which the sculptural framings are as much a part of the piece as the stage and stage-set would be a part of a play or performance. The frame stands as a portal, or invitation to a vision or memory, be it painful, beautiful, or hopeful. She describes her work as fragments of dreams, fantasies, or moments in time.  She describes an interest in the mind’s ability to organize and sublimate the two-dimensional space of the canvas as theater into which the drama of a moment can be pressed.

The artist Ava Day paints the inner vision.  With a feeling for nature, her works seem charged with associations.  She defines her work as Visionary Conceptualism, an intimate, personal art. They are also Metaphysical, in that they relate to the transcendent, to a reality beyond that which is perceptible to the senses, full of an invented symbolism.

Spirituality animates many of the works, images paired down to their most eternal elements, exalting the mysterious, aiming to unify art and the senses.   They evoke memory, the persistence of dreams in the face of reality, dreams that manifest content.  Dreams, truer than other aspects of life, lead to a highly suggestive vagueness.  She describes her paintings as a pictorial arrangement of the psychical under which lies a profound concealed truth.  She creates at times a disquieting melancholic longing, or a sense of foreboding, evoking inner tumult, hidden beneath an eloquent exterior, giving life to simple natural scenes, whether humble or magical.

Ava Day’s work attempts to restore purity and sincerity and often with an irresistible sense of whimsy.    She believes that there is a need for silence; a silence that restores meaning.  An art of quietude, rooted in terrains of silence, causing us to listen to the innerness of our beings, reconciling nature with contemporary life

Her paintings speak of poetry, not because of literary themes or verses, but because they present images with a poet’s eye or ear.  The painting of an idea delving below narrative and even below consciousness, but full of the beauty and terror of life: conversations with the soul, with a wild note of longing.  These themes interweave so that yearning and religion, destiny and eternity, symbol and idea, all become one.

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In ‘ARCHITECTURE OF JOY’, Ava Day’s new series of works, she combines fine art painting with a re-invention of traditional home building techniques.

This is truly cutting edge contemporary work.

One not only sees but feels the painted object. The images here are dream landscapes inhabited by clouds, trees, bodies of water and the sky. Ava Day applies paint in a visceral, gestural manner.

In these works traditional framing does not apply. The framed constructions here are stage sets inspired by prairie homesteads and American rustic building styles. Ms. Day off-handedly mentions that some professional carpenters have objected to her building techniques.

In ‘ARCHITECTURE OF JOY’  Ms. Day alsoemploys articles like miniscule tea set layouts, items taken from a doll house, tiny boots, slippers dancing inside a glass-doored cabinet, a lace curtain blowing in the breeze and many other varied items. ’BROKEN FENCE’ – for instance - is constructed of tiny slats of broken wood. ‘BACKYARD FENCE’ is made of wainscoting, all ‘objets trouvés’:  slats of wood and a broken flower pot,

‘WISH & PONY’ depicts painful childhood memories of broken promises and unrequited love from a disapproving parent.  In many pieces there is crockery and it is broken. 
 
All objects in Ms. Day’s work here have history in her life, memory and longing. In ‘PERSISTENCE OF MEMORY’ a love letter found on the banks of Newton Creek in Greenpoint, Brooklyn, is displayed collaged together with a reproduction of  Salvadore Dali’s rubberized clocks.

Ava Day, her cabins in the sky, her ‘ARCHITECTURE OF JOY’, homesteading a universe.

Stefan Eins
Conceptual artist, Painter, Sculptor
Science researcher
Founder, Fashion Moda




Born in Oceanside, California
Graduated from Canoga Park High School, Canoga Park, California
San Francisco State University, BA Program
Studied drawing with John Guttmann
Studied painting with Robert Bechtle, showing at OK Harris Gallery, NY
Studied painting with Richard McClean, showing at OK Harris Gallery, NY
Participated in Performance art and conceptual art videos with Francis Coelho, Head of SF State Art Dept
Moved to London, England & traveled and lived in Western Europe
Styled & modeled in ‘Renee’ series airbrush paintings by photo-realist artist Barbara Rogers, Hanson Fuller, Goldeen Gallery. SF
Founded ‘Ava Muse Graphics’, London-based greeting card company
1980, Moved to New York
Created a line of specialty cards for TNT, New York
Illustration, Cosmopolitan Magazine with Abelardo Menendez  (associate art director)
Executed promotional 3D art displays for Barnes & Nobles Booksellers, New York
Commercial productions (TV Commercials) with We Productions Company
1990, Relocated to Greenpoint, Brooklyn

 

Email: ava@avaday.com